Igor Vishnyakov was born in 1968 in Moscow and spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mid-80’s he started painting, photographing key figures of Russian avant-garde movement and widely exhibiting his work. In his youth Vishnyakov was already a significant figure in Moscow and St. Petersburg art community.
He became a permanent member of the New Academy of Fine Arts soon after it was founded by Timur Novikov in 1989. He must have first became aware of alternate photographic printing processes while studying in the New Academy. Novikov, Egelskiy, Alexandrov, Ostrov and other Academy members were engaged in reviving precious photo printing techniques widely spread in the XIX century, such as gum arabic pigment print, bromoils, calotypes, chirotypes, carbon process, Savrasov and Sery methods and many others.
In 1990 Vishnyakov moved to New York to establish himself as a reportage and then as a fashion photographer and soon got his work published in a dozen of American and European magazines. Soon after he continued his art education in a New York studio of a French painter Emmanuel Flipo. Although living as an emigrant, Vishnyakov remained his connections with the Russian art world, especially with the New Academy, and participated in a number of group exhibitions. In 1997 he joined the «new serious» movement that gathered neoacademists from Moscow and St. Petersburg.
His very own established technique is mixed media, combining classical photography, gum arabic pigment printing, tempera painting and printing. The smallest details, such as peculiarities and nuances of putting an emulsion, thickness, pressure and color of brush strokes, or paper texture, gain strange, even mystic significance in his whole work. Photographic details show through and then dissolve in the layers of paint, leaving the image slightly unexposed and the philosophical background unrevealed. The viewer is impelled to come back over and over again. Vishnyakov’s work has a feeling of ephemerality, conveys a sense of never being truly finished, inclines a truly meditative state.
In his never ending reconnaissance of ideal image of beauty Vishnyakov is inspired by esoteric and Oriental spiritual practices. Everything finds place in his art, whether it is Tao doctrine of five elements, symbols of Tarot’s Major Arcana, majestic temples of ancient India or plain netsuke figures. Whatever there is, artist’s major principle is harmony, both inner and outward, spiritual and visual.
Vishnyakov also teaches photography in America and Japan, practices kung fu and remains a Shaolin monk’s novice for eleven years already. At present he is living between New York and Moscow with his muse, a model and a talented painter Sasha Pivovarova.